If you're like me, you enjoy watching Science Fiction films that take you back to your childhood. Here, we review movies that relied on stop-motion, guys in rubber monster suits, and other quirky stuff to bring out the imagination. I'm starting off this blog with a review of the Godzilla movies, along with the new one that was released this week. Enjoy friends!
Tuesday, December 9, 2014
Santa Claus Conquers the Martians
With the holiday season in full
swing, I felt like it was a great time to review this gem (that's pure sarcasm). Again we’re treading
into the “so bad its great” territory, but that’s okay. It’s a pure escapist
oddity. On the one hand, it has elements of a bad 50’s science fiction film.
However, it’s also blended with childish humor, giving itself a kind of
happy-go-lucky tone. Whichever way you look at it, Santa Claus Conquers the Martians is a crazy mess.
Martian parents Lady Momar (Leila
Martin) and her husband Kimar (Leonard Hicks), are having a difficult time
keeping their children attentive. Both kids spend most of the time glued to the
“FUTURISTIC” flat-screen TV. What’s kept their attention are “earth programs”,
which frustrates Kimar. He and other adults ask the wise Chochem (Can’t find
actor) what to do. In what amounts to a teeth-pulling lecture, Chochem tells
them to find Santa Claus to help spread joy to the otherwise drab Martian
society. One martian by the name of Voldar (Vincent Beck) opposes the idea. His
bad attitude towards Kimar’s leadership, along with his bushy mustache, pretty
well establishes him as the chief antagonist. They take off for Earth in a
small plastic model (sorry meant spaceship), to find Saint Nick. At first the
Martians have a hard time doing so, only detecting counterfeit Santas in the
city. They decide to capture two kids named Billy and Betty (Victor Stiles and
Donna Conforti) to help them find the real Santa Claus. They inadvertently tell
the Martians that his home is at the north pole, and are taken on board the
ship. Oh, I almost forgot to mention Droppo (Bill McCutcheon) who basically
stands in as this movie’s Jar Jar Binks. While the others are in another part
of the ship, he sneaks the kids in the control room to show them around. As the
other Martians come back, he hides the kids inside a box. The Martians’
controls for the ship are pretty laughable, and look like an arcade game.
(Hence MST3K’s Servo comment: You sunk my battle ship!”) They land in the North
Pole and begin their search. Billy and Betty soon creep out to escape, but find
themselves pinned in a cave by a polar bear. Thought the spaceship looked cheap?
Check out the polar bear, which is brought to life by an actor wearing a droopy
bear costume. It leaves, but they soon are caught by the Martians’ robot, which
almost makes the bear look real by comparison. Soon after, the Martians capture
Santa Claus, and make their way back to Mars. During the trip, Voldar tries to
take out Old Saint Nick by trapping them near the air lock. It fails, and they
reach Mars, where Santa Claus helps to build toys and all sorts of stuff to
make the kids happier (because that’s what Christmas is all about right?).
Voldar again tries to stop him, by damaging the toys and capturing what he
thinks is Claus (it’s actually Droppo dressed in a Santa suit). His plan falls
apart again, and a bizarre, um, toy fight ensues. It’s complete with weird
camera shots, and soundtrack, making it a fitting end to an awful movie plot
line. Instead of staying, Santa Claus decides to designate Droppo as the
Martian Santa, since he IS jolly and all that….right? If so, Droppo needs to
improve his “fake laugh” if he’s going to take that job (see MST3K for that
reference). THE END!!!!
Breaking
it Down
So what’s there to say about this
holiday movie? Well, it certainly won’t be played on ABC Family every December
along with Rudolph and Frosty, at the very least. It is a classic, however, in the B-Movie sense. The main problem is it
tries so badly to be a kid’s movie, but fails in the charm, the imagination,
and pretty much everything else. The only way anybody I would recommend
watching it would be with the Mystery Science Theater riffing. Instead of
spending $5.00 at the movie section, just watch the MST3K crew riff it on
YouTube. As Darth Vader said, “It is the ONLY
WAY!” It currently holds a 25% rating on Rotten Tomatoes, and deservedly
so.
1 out of 5 stars.
MST3K Treatment of "Santa Claus Conquers the Martians"
Tuesday, September 23, 2014
It’s
Alive!
Intro
So far, I’ve reviewed some A
quality movies, like Sinbad and Argonauts. I also treaded into MST3K
territory with This Island Earth. While
This Island Earth wasn’t the best,
you haven’t seen anything like today’s movie. Directed by Larry Buchanan, It’s Alive! (1969) is definitely one of
those films that are so bad, you just have to see them at some point. Many
point to Ed Wood as the world’s worst film director, and while his movies are
pretty bad, they look like Spielberg productions compared to the mess we’re
reviewing today. In just about every way you look at it, It’s Alive is downright bad.
Plot Outline
The film begins with a young
couple, Leela and Norman Sterns (Shirley Bonne and Corveth Ousterhouse) driving
through the Ozarks on their way to California. Normally, audiences would learn
this through characters’ dialogue. Exposition is helpful like that in most
films. Not this one. Instead, most exposition is revealed through Mr. Buchanan
himself, who narrates the entire intro scene of the movie. He reads his lines
as they drive down the highway, saying almost absolutely nothing. The only thing
that can be heard aside from Buchanan’s bizarre narration is the constant
squeaking of the windshield wipers. Oh yeah, if you’re going to film a landmark
horror/sci-fi movie, you’ve got to include that tedious sound. You’re about
four or five minutes in, and so far the only interesting thing so far is
the incoherent narration. For example, he states at one point “Legend
has it that when it rains and the sun is shining, the devil is kissing his
wife.” With that said, the driving montage here does prove to be slightly more interesting than from Manos: The Hands of Fate, for it
features an old dinosaur-themed park that the couple decides to visit. The dino
sculptures are oddly designed, with little regard to scientific accuracy, but
they still add some charm to the film. They also hint at something foreboding
waiting for Norman and Leilla deep in the Ozark wilderness. So far, the movie
has started poorly, with a boring narration and not much else. However, the
darkening scenery, coupled with the statues, starts to bring some potential to
Buchanan’s dying project. Then the dialogue actually starts, with Norman dumbly
stating “We’re almost out of gas.” How in the world did he not avoid something
like that? Couldn’t they have had a flat tire, or their engine break down? No,
Norman stupidly ignored the gas meter until the dial had reached EMPTY. Brilliant
plot point Mr. Buchanan.
Anyway, they drive past the theme
park to a young man’s property to ask where they could get gas. The man’s name
is Wayne Thomas (Tommy Kirk), an archaeologist. He points them further up the
road, to an older farmer named Greely (Bill Thurman), who owns a gas pump. As
luck will have it, Greely proves less helpful when they get to his place. He
claims to be out of gas until the next day, when the gas truck comes by. So at
this point, the Sterns are stuck at Greely’s place for a while. Meanwhile, in
private the farmer bickers with his terrified housekeeper, Bella, who begs him
not to harm them. Greely in turn threatens her as well, though with what we
don’t yet know. Leela also comments to Norman how disturbed she is about the
crazed look in his eyes. In reality she sees is bad acting, and yes, that cinematic
disease is contagious. He later invites them to check out his animal exhibit,
which features snakes, coyotes, and other mountain critters. Then he brings
them to a cavern entrance nearby, and shows them the inside. Once they’re in,
he locks them in with prison bars, preventing escape. With a fake evil laugh
that an infant could match, he leaves them behind. While trying to find a way
to escape, (or whine a lot) Norman and Leela find Wayne, who was injured and
captured by Greely earlier. Okay, now we have three protagonists: The whiny,
selfish husband, and the good-intentioned wife and guy who played in Old Yeller. You can pretty well see
where this is headed. While looking around the cave, they see a stairwell,
which leads down to a mysterious spring at the cave bottom. At that moment,
Greely appears with a gun. He tells the group of their coming fate, that he has
a prehistoric creature living in the cavern, waiting to devour them. The group
tries to convince him to share the animal with society, but that only angers
him. He shoots Wayne, injuring him again. Wayne retaliates by throwing a
flashlight at Greely, knocking the gun out of his hand. Again, Greely tries to
let out a (VERY MUCH) forced laugh and flees. Norman gets jealous when Leela
tends to Wayne’s wound, and hits her. He then descends down the stairs to retrieve
the gun, where he is attacked and eaten by the dinosaur. Also, when I say
dinosaur, I actually mean a guy in a green wetsuit wearing ping-pongs for
eyeballs. Yes, it’s that bad.
Later, Bella sneaks into the cave
to help the surviving pair. She then dives into flashback mode, telling them
how she came to be Greely’s servant. In the flashback, she was a schoolteacher
on a vacation, when she came across “Road Closed” sign. Next thing you know,
she’s at his place. Why she didn’t just turn back and go the other way is never
explained. I guess when you’ve used the “out of gas” explanation for getting
your movie characters stuck, just don’t explain at all. Then of course Greely
traps her at the house, starving her and driving her insane. Of course this shouldn’t
take too long to explain right? It is after all just a short flashback. Wrong. The
scene goes on for nearly TWENTY MINUTES. Of course this scene is also
dialogue-free, just like the introduction. You will never see a more shameless
example of film-padding my friend, because the whole sequence takes up nearly a
third of the entire film. Afterward, Bella plans to get Wayne’s car key, which
is in a bag outside the cave. She does so, but also inadvertently brings coffee
that Greely drugged, in order to foil their plan. They drink it, and soon pass
out. Greely then walks in, taking Leela to the dinosaur’s lair. Bella wakes
Wayne, just in time to save Leela from the creature. Wayne and Leela flee the
cave, leaving Bella, who is carrying dynamite. She then blows up the cave,
burying herself, Greely, and the creature in the rubble. Outside and free,
Wayne speculates that “maybe there never really was anything” in the cave.
HUH??? What the director intended as ambiguity just left audiences wondering if
the director had a little too much of Greely’s funny coffee.
Breaking
It Down
As I said, the poor quality of this
film is legendary. Just about every line delivered is as flat as a pancake. The
plot grinds to a halt to retell an endless and boring flashback. Don’t forget
the awful “dinosaur suit”. Particularly bad is Bill Thurman trying VERY HARD to
showcase insanity. His ridiculous evil laugh alone knocked this movie into the
five dollar bin. Even Shirley Bonne and Tommy Kirk, both of whom are
experienced actors, offer at best forgettable performances.
After reading all this, I’m sure
you’re convinced I despise the movie. Yet, that’s not at all the case. It
happens to be one of those movies that is so bad that it deserves at least one
viewing. When the director provides the awful narration at the beginning, you
will roll with laughter. The dinosaur costume looks so thoroughly goofy that
you just can’t look away. Also, the movie was filmed with a grainy quality,
offering a documentary-type charm to it. And the overall concept of people
trying to escape a dinosaur in an Ozark cavern actually makes for an intriguing
sci-fi horror plot. The only problem is this movie was helmed by Larry
Buchanan, the architect of all bad movies. When the movie you’re in is directed
by a guy who makes Ed Wood’s directing skills look good, you’re in trouble.
However, as I said, his bad movies entertain us….to a degree anyway.
So there you have it, so bad it’s
good!
I rate it…….a 1 out of 10. Sorry
Mr. Buchanan. Sort of.
Trivia
The Dinosaur Park in the film’s
beginning was built in the early 1960s, and was named “John Agar’s Land of
Kong.” Agar himself didn’t own it, but a friend of his did, and he asked Agar
to lend his name to the park. Later, after the release of Jurassic Park, the owner changed the name to “Dinosaur World” to
help ride the movie’s coattails. I went to see the park twice, in 2001 and
2002, at the ages of 10 and 11, and really enjoyed it. Sadly, the park closed
in 2005, and hasn’t been reopened since then. By the way, there’s a petition
circulating to reopen the park. I have it attached it below, and hope you sign
it!